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        Daejanggyeong: A Millennium Commemoration of the Tripitaka Koreana in 2011

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[±¹Á¦Çмú´ëȸ °³¿ä]


´ëÀå°æ: 2011³â °í·Á´ëÀå°æ õ³â ±â³ä ±¹Á¦Çмú´ëȸ

Daejanggyeong: A Millennium Commemoration of the Tripitaka Koreana in 2011


°í·Á ÃÊÁ¶´ëÀå°æ(ôøðçÓÞíúÌè·1011~1087³â) õ³âÀ» ±â³äÇÏ´Â ´ë±Ô¸ð ±¹Á¦Çмú´ëȸ°¡ ¿À´Â 6¿ù 26ÀϺÎÅÍ 29ÀϱîÁö ´ë±¸±¤¿ª½Ã È£ÅÚÀÎÅͺҰí ÄÁº¥¼ÇȦ¿¡¼­ ¿­¸°´Ù. (»ç)Àå°æµµ·® °í·Á´ëÀå°æ¿¬±¸¼Ò¿Í ±Ý°­´ëÇб³ ºÒ±³¹®È­¿¬±¸¼Ò°¡ °øµ¿À¸·Î ÁÖÃÖÇÏ´Â À̹ø Çмú´ëȸ´Â 9°³±¹ÀÇ 15¸íÀÇ ±¹¿ÜÇÐÀÚµé°ú 12¸íÀÇ ±¹³»ÇÐÀÚµéÀÌ Âü°¡ÇÑ´Ù. 27ÆíÀÇ ³í¹®ÀÌ ¹ßÇ¥µÇ´Â À̹ø Çмú´ëȸ´Â ±¹³»´Â ¹°·Ð ¼¼°èÀûÀ¸·Îµµ °í·Á ÃÊÁ¶´ëÀå°æÀ» Áß½ÉÀ¸·Î "´ëÀå°æ"À» ÁýÁß Á¶¸íÇϴ ù ½ÃµµÀÌ´Ù.


"´ëÀå°æ: 2011³â °í·Á´ëÀå°æ õ³â ±â³ä ±¹Á¦Çмú´ëȸ"´Â ´ëÀå°æÀ̶ó´Â ´ëÁÖÁ¦ ¾Æ·¡ 9°³ÀÇ ¼ÒÁÖÁ¦·Î ³ª´©¾î¼­, 3°³ ºÐ°ú°¡ 27ÀÏ~28ÀÏ ¾çÀϰ£¿¡ °ÉÃÄ ÁøÇàµÇ°í, 28ÀÏ ¿ÀÈÄ¿¡´Â ¸ðµç Âü°¡ÀÚ Âü¿©ÇÏ´Â Á¾ÇÕÅä·ÐÀ» °®°Ô µÈ´Ù. ÇÑ¿ª ´ëÀå°æ»Ó¸¸ ¾Æ´Ï¶ó, ÆÈ¸®¾î, »ê½ºÅ©¸®Æ®¾î, Ƽº£Æ®¾î µî ´Ù¾çÇÑ ¾ð¾î·Î ÆíÂùµÈ ´ëÀå°æÀÇ ÆíÂù°ú ¿ª°æ, ±×¸®°í Àü½Â °úÁ¤À» »ìÆìº¸°í ´Ù¾çÇÑ ½Ã°¢¿¡¼­ Çй®ÀûÀ¸·Î Á¶¸íÇÑ´Ù. °í·Á´ëÀå°æÀÇ ¼­ÁöÇаú °í°íÇÐÀû Àǹ̸¦ Áß½ÉÀ¸·Î »çº»ÀÇ ÆíÂù°ú ¹ø¿ªÀ» µÑ·¯ ½Ñ Á¦ ¹®Á¦¸¦ °íÂûÇÑ´Ù. ¶ÇÇÑ µðÁöÅÐ ½Ã´ë¿¡ ´ëÀå°æÀÇ °¢±¹ÀÇ Àü»êÈ­ÀÇ ÇöȲ°ú ÀÎÅÍ³Ý ³×Æ®¿öÅ©¸¦ ÅëÇÑ ¼ÒÅëÀÇ °¡´É¼ºÀ» ³íÀÇÇÑ´Ù.


±¹¿Ü Âü¿©ÇÐÀڷδ ¾Æ½Ã¾Æ±Ç 5¸í°ú ¿µ¾î±Ç ÇÐÀÚ 10¸íÀÌ ´Ù¾çÇÑ ´ëÀå°æÀÇ ÆíÂù°ú ´Ù¸¥ ¹®È­±ÇÀ¸·Î Àü½Â°úÁ¤ µîÀ» Á¶¸ÁÇÑ´Ù. ÆÈ¸®¼ºÀüÇùȸ ȸÀåÀÎ ¿µ±¹ÀÇ ·çÆÛÆ® ±«Æ¾(Rupert Gethin)±³¼ö¸¦ ºñ·ÔÇÏ¿©, Áö³­ 30¿© ³âµ¿¾È Àεµ Ƽº£Æ®ºÒ±³ ¿øÀü ¿¬±¸¸¦ ÁÖµµ ÇÑ ¹Ì±¹ÀÇ ·çÀ̽º °í¸ÞÁî(Luis Gomez)±³¼ö, À²Àå »çº» ¿¬±¸ÀÇ ¶Ù¾î³­ ¾÷ÀûÀ» ¹ßÇ¥Çϰí ÀÖ´Â µ¶ÀÏÀÇ Á¤ÁøÀÏ ±³¼ö µîÀÌ ÁÖÁ¦¹ßÇ¥¿¡ ³ª¼±´Ù.


¾Æ½Ã¾Æ±Ç ÇÐÀÚµéÀº ÃÊÁ¶´ëÀå°æÀÇ ¹ý¸Á°æ ¿¬±¸¿¡ ¼±µÎÀûÀÎ ¿ªÇÒÀ» Çϰí ÀÖ´Â Èijª¾ß¸¶ Åä·ç(àÏߣ ôË)±³¼ö¿Í Ãʱâ ÇÑ¿ª ºÒÀü ¿¬±¸ÀÇ ¹ø¿ª ¹®Á¦¸¦ ±íÀÌ ÀÖ°Ô °íÂûÇÏ´Â °¡¶ó½Ã¸¶ ¼¼À̽à (ãôÓ÷静ò¤) ±³¼ö¿Í ´Ù¾çÇÑ ´ëÀå°æÀÇ °èº¸¸¦ ¿¬±¸Çϰí ÀÖ´Â ¿ÀÄ¡¾ÆÀÌ Åä½Ã³ë¸®(ÕªùêñÕîð) ±³¼ö µîÀÌ Âü¿©ÇÑ´Ù. Áß±¹ÀÇ ÀåÈ«¿þÀÌ(íñÎÛ伟)¿Í À̺ÎÈ­(×ÝÝ£ü¤) ±³¼ö´Â °í·Á´ëÀå°æÀ» Áß½ÉÀ¸·Î ´Ù¸¥ ´ëÀå°æ, °¡ÈïÀå°ú Á¶¼ºÀå µîÀ» ºñ±³ ºÐ¼®ÇÑ´Ù.


±¹³»ÇÐÀڷδ ÃÊÁ¶´ëÀå°æ º¹¿ø »ç¾÷¿¡ ÁÖµµÀûÀÎ ¿ªÇÒÀ» ¸Ã°í ÀÖ´Â °æºÏ´ëÇб³ ³²±ÇÈñ ±³¼ö¸¦ ºñ·ÔÇÏ¿©, ÇÑ¿ª ´ëÀå°æ ¹ø¿ª¿¡¼­ À½¿ª¾î ¹®Á¦¸¦ ´Ù·ç´Â Á¤½Â¼®(µ¿±¹´ëÇб³)±³¼ö µî 12¸íÀÌ ÁÖÁ¦¹ßÇ¥¸¦ ÇÏ°Ô µÈ´Ù.

À̹ø Çмú´ëȸÀÇ Á¶Á÷À§¿øÀå ÃÖÁ¾³²(Á߾ӽ°¡´ëÇб³) ±³¼ö´Â À̹ø Çмú´ëȸÀÇ Àǹ̿¡ ´ëÇØ "°í·Á ÃÊÁ¶´ëÀå°æ õ³âÀ» ±â³äÇÏ¿© °³ÃֵǴ À̹ø ±¹Á¦ Çмú´ëȸ´Â °í·ÁÀÎÀÇ ÁöÇý¿Í ¼û°áÀ» °°ÀÌÇϰí, ±×¸®°í °í·Á´ëÀå°æÀÇ Áö½Ä°ú ¹®È­ÀûÀÎ ¿ì¼ö¼ºÀÇ °¡Ä¡¸¦ °í¾ç½Ãų ¼ö ÀÖ´Â °è±â·Î ¶ÇÇÑ ¹Ð·¹´Ï¾ö ´ëÀå°æÀÌ Çö´ë»çȸÀÇ ¿©·¯ °¡Áö ¹®Á¦µéÀ» ÇØ¼ÒÇÏ°í ±Øº¹Çϴµ¥ ÁÖ¿äÇÑ ¿ªÇÒÀ» ±âÇÒ ¼ö ÀÖµµ·Ï ÁغñÇÏ¿´´Ù"°í ¹àÈ÷°í ÀÖ´Ù. 

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1. ÇÁ·Î±×·¥ ¿î¿µ°èȹ

 

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 ¼ÒÈï·Ä (Æ÷Ç×°ø°ú´ëÇб³ ¸í¿¹±³¼ö)

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 ´ë±¸½Ã ½ÃÀå, ¹ßÇ¥ÇÐÀÚ µî ÁÖ¿ä³»ºó

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 ´ë±¸±¤¿ª½Ã ½ÃÀå ÃÊû ¿ÀÂù

 - Ãà¹èÁ¦ÀÇ Æ÷ÇÔ

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▪ ÁÖÁ¦¹ßÇ¥ 1(ºÐ°ú)

Section 1: »çȸ/Å뿪 ³²±ÇÈñ(°æºÏ´ë ±³¼ö)

 ¹ßÇ¥ÀÚ(4¸í): Toshinori Ochiai, Á¤½Â¼®, ±èõÇÐ, ÁßÇö½º´Ô

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Section 2: »çȸ/Å뿪 ±è¼ºÃ¶(µ¿±¹´ë ±³¼ö)

 ¹ßÇ¥ÀÚ(4¸í): Seishi arashima(ãôÓ÷静ò¤), Sangwhan Shin, Jin-il Chung, Dewei Zhang

  ÁÖÁ¦¹ßÇ¥ 3(ºÐ°ú)

Section 3: »çȸ/Å뿪 ÇãÀμ·(´ö¼º¿©´ë ±³¼ö)

 ¹ßÇ¥ÀÚ(4¸í): Lewis Lancaster, ÀÌŽÂ, Funayama Toru(àÏߣôË), ¼®±æ¾Ï

19:00~21:00

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 È£ÅÚ ±¹È­È¦-±Ý°­´ë ÃÑÀå ¸¸Âù(100¸í ±Ô¸ð)

6¿ù 28ÀÏ

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10:00~12:00

▪ ÁÖÁ¦¹ßÇ¥ 4(ºÐ°ú)

Section 4: »çȸ/Å뿪 ÇÏÀ¯Áø(±Ý°­´ë ±³¼ö)

 ¹ßÇ¥ÀÚ(2¸í): Zhang hongwei (íñÎÛ伟), Fuhua Li (×ÝÝ£ü¤)

  ÁÖÁ¦¹ßÇ¥ 5(ºÐ°ú)

Section 5: »çȸ/Å뿪 ½ÉÀç°ü(±Ý°­´ë ±³¼ö)

 ¹ßÇ¥ÀÚ(2¸í): Zhiru Shi , ¿øÇý¿µ

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Section 6: »çȸ/Å뿪 °¡¶ó½Ã¸¶(ÀϺ» ±³¼ö)

 ¹ßÇ¥ÀÚ(2¸í): Luis Gomez , Rupert Gethin

12:01~13:00

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 È£ÅÚ

14:00~18:00

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Section 7: »çȸ/Å뿪 ÀÌÁ¾Ã¶ ±³¼ö

            (Çѱ¹Áß¾ÓÇבּ¸¿ø Çѱ¹ÇдëÇпø)

 ¹ßÇ¥ÀÚ(3¸í): Robert Buswell, Çѱ⹮,½ÉÀç°ü

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Section 8: »çȸ/Å뿪 ÃÖ¿¬½Ä(¸ñÆ÷´ë ±³¼ö)

 ¹ßÇ¥ÀÚ(3¸í): ³²±ÇÈñ, ·ùºÎÇö, ÃÖż±

  ÁÖÁ¦¹ßÇ¥ 9(ºÐ°ú)

Section 9: »çȸ/Å뿪 Ȳ¼øÀÏ(µ¿±¹´ë ±³¼ö)

 ¹ßÇ¥ÀÚ(3¸í): Marcus Bingenheimer , Jinhua Chen , ÀÌÀç¼ö

19:00~21:00

▪ Á¾ÇÕÅä·Ð/ȯ¼Ûȸ

 ÃÊûÀλç 100¸í ±Ô¸ð(¸®¼Á¼Ç)

 

 

 

2. ±¹Á¦Çмú´ëȸ ºÐ°úº° ÁÖÁ¦


<´ëȸ 1ÀÏ: 6¿ù 27ÀÏ 14:00-18:00>

 

1ºÐ°ú ´ëÀå°æ¿ª°æ°ú Àü½Â±×¸®°í Àü»êÈ­ // »çȸ³²±ÇÈñ (°æºÏ´ëÇб³)

Section 1 Daejanggyeong: Translation, Transmission, and Digitalizing

1)  Toshinori Ochiai. (ÕªùêñÕîð), (International College for Postgraduate Buddhist Studies, Japan): ÍÔÕòôøðçÜâªèªê̸ª¨ªÆª­ª¿ð³ÓÞ蔵経ªÎͧÜÏ

2)  Á¤½Â¼® (µ¿±¹´ëÇб³): ÇÑ¿ª ´ëÀå°æÀÇ À½¿ª¾î·Î ÆÄ»ýµÈ ¹®Á¦ »ç·Ê

3)  ±èõÇÐ (±Ý°­´ëÇб³): T85n2799 <<ä¨ò¢ÖåëùáÂ>>(Shidilun yishu )ÀÇ ÅØ½ºÆ® °ËÅä

       4)  ÁßÇö(°í·Á´ëÀå°æ¿¬±¸¼Ò): °í·Á´ëÀå°æ¿¬±¸¼Ò Àü»êÈ­ »ç¾÷ ËÈκ


2ºÐ°ú ´ëÀå°æ¾ð¾î¿Í ¿ª°æ±×¸®°í À¯Æ÷ // »çȸ±è¼ºÃ¶ (µ¿±¹´ëÇб³)

Section 2 Daejanggyeong: Languages, Translation, and Spreading

1)  Seishi Karashima. (ãôÓ÷静ò¤), (Soka University, Japan) : A Study of the Language of the Early Chinese Buddhist Translations: Comparison between the translations by Lokakṣema and those by Zhi Qian ðÄÑ¢ùÓæ»ÝÖîðîÜåÞåë研ϼì¤ò¨×¥Ê¼óÙÐàò¨ÌÅîÜæ»ÌèÓßÝï為ñéãý

2)  Sangwhan Shin. (Visva-Bharati, India): Æ¼ºª ´ëÀå°æÀÇ ¿ª»çÀû ¹è°æÀÇ Æ¯Â¡

3)  Jin-il Chung. (University. of Göttingen, Germany): Vinaya Elements in Āgama Texts as a Criterion of the School Affiliation: Taking the Six vivādamūlas as an Example

       4)  Dewei Zhang. (McMaster University, Canada): Text in Context: Spreading a Buddhist Canon in Wanli (1573-1620) China

 

3ºÐ°ú ´ëÀå°æ°í·Á´ëÀå°æÀÇ ÀçÁ¶¸í // »çȸÇãÀμ· (´ö¼º¿©ÀÚ´ëÇб³)

Section 3 Daejanggyeong: Re-examination of the Tripitaka Koreana

1)  Lewis Lancaster. (University of California Berkeley, U.S. A.): The Role of the Daejanggyong in the Buddhist Network

2)  ÀÌŽ (À§´ö´ëÇб³): ÍÔÕòÓÞíúÌè¿¡ ³ªÅ¸³­ ãúÓ¾Ûïí®¿¡ ´ëÇÏ¿©

3)  Funayama Toru. (àÏߣ ôË) (Kyoto University, Japan): The Fanwang jing (Scripture of Brahma's Net) in the First-edition Tripitaka Koreana: A Preliminary Survey

       4)  ¼®±æ¾Ï (±Ý°­´ëÇб³): °í·ÁÀÇ Óßáä ÝÖîð Íêæ¨¿Í ±× Àǵµ(áä¿¡ ´ëÇÑ °í·ÁÀÇ ÝÖîð Íêæ¨¿Í ±×Àǵµ)



<´ëȸ 2ÀÏ: 6¿ù 28ÀÏ 10:00-12:00>


4ºÐ°ú ´ëÀå°æµ¿¾Æ½Ã¾Æ¿¡¼­ÀÇ ´ëÀå°æ // »çȸÇÏÀ¯Áø (±Ý°­´ëÇб³)

Section 4 Daejanggyeong: Daejanggyeong in East Asia

1)  Zhang hongwei. (íñÎÛ伟) (ñéÏÐÝÁÌÈͺÏàÚÏÚªêÂ, China): ¡¶Ê©兴íú¡·î¤东亚ÝÖ教ÙþûùÏêîÜ×µ÷ëJiaxing Tripitaka " in the East Asian cultural circle of the Spread of Buddhism

      2)  Fuhua Li. (×ÝÝ£ü¤)(ñéÏÐÞäüåΡùÊêÂ,China): ¡¶ÍÔ丽íú¡·与¡¶赵àòíú¡·îÜ对ÝïÝÂà°ñéÕÔ论¡¶ÍÔ丽íú¡·îÜà÷ö¦


5ºÐ°ú ´ëÀå°æ°æÀü°ú Áö¿ª¼º // »çȸ½ÉÀç°ü (±Ý°­´ëÇб³)

Section 5 Daejanggyeong: Texts and Locality

1)  Zhiru Shi. (Pomona College, U.S.A.) :Production of the Buddhist Canon and State Formation in Tenth-Century Southeast China

2)  ¿øÇý¿µ (´ëÁø´ëÇб³): ±Ù¿ø¼ºÀ» °¡Áø ºÒ±³ °æÀü-Ãʱ⠿­¹Ý°æ¿¡¼­ °æ°ú À²ÀÇ ÁøÀ§¿©ºÎ¿¡ °üÇÑ ³íÀÇ-


6ºÐ°ú ´ëÀå°æºÒ±³ÀÇ ±Ù¿ø°ú Àü½Â // »çȸSeishi Karashima. (ãôÓ÷静ò¤), (Soka University)

Section 6 Daejanggyeong: Foundation of Buddhism and Transmission

1)  Luis Gomez. (University of Michigan, U.S.A.): Source for the History of Avalokiteśvara in the Dazang

2)  Rupert Gethin. (University of Bristol, UK): Is the text of the Pali canon fixed? Oral composition and transmission of early Buddhist texts



<6¿ù 28ÀÏ 14:00-17:00>


7ºÐ°ú ´ëÀå°æ»çº»ÆíÂù±×¸®°í ¼ÒÀåó //

                              »çȸÀÌÁ¾Ã¶ (Çѱ¹ÇÐÁß¾Ó¿¬±¸¿ø Çѱ¹ÇдëÇпø)

Section 7 Daejanggyeong: Manuscript and Editing and Collections

1)  Robert E. Buswell, Jr. (University of California, Los Angeles, U.S.A.) Sugi'sáúÐìEditing of the Koryŏ Buddhist Canon and His Significance in the History of Textual Criticism

2)  Çѱ⹮ (°æºÏ´ëÇб³): °í·ÁÀü±â ÃÊÁ¶´ëÀå°æÆÇÀÇ Á¶¼º°ú ¼ÒÀåó

3)  ½ÉÀç°ü (±Ý°­´ëÇб³): Jambudvipaprajnapti ¿ï³Ê »çº»¿¡ ´ëÇÑ ¿¹ºñÀû ³ëÆ®


8ºÐ°ú ´ëÀå°æ°í·ÁÃÊÁ¶´ëÀå°æÀÇ ¼­ÁöÇаú °í°íÇР// »çȸÃÖ¿¬½Ä (¸ñÆ÷´ëÇб³)

Section 8 Daejanggyeong: The Bibliography and Archeology of the Tripitaka Koreana

1)  ³²±ÇÈñ (°æºÏ´ëÇб³): ôøðçÓÞíúÌè úÞðíÜâÀÇ ßöò¼îÜ æÚϼ

    2)  ·ùºÎÇö (´ëÁø´ëÇб³): ÍÔÕòÓÞíúÌèÀǠϰà÷°ú î¼Üâ ¹× ÷ùʾ¿¡ ´ëÇÑ æÚϼ

3)  ÃÖż± (Á߾ӽ°¡´ëÇб³) : ÓÞíúÌèμ֤ ë¶îçÀÇ úÞüϰú ð³ Ùýð¹


9ºÐ°ú ´ëÀå°æ°æÀü°ú °¡»ó°ø°£ // È²¼øÀÏ (µ¿±¹´ëÇб³)

Section 9 Daejanggyeong: Texts and CyberSpace

1)  Marcus Bingenheimer. (Dharma Drum Buddhist College, Taiwan) : A Digital Research Archive for the Manchu Buddhist Canon

2)  Jinhua Chen. (University. of British Columbia, Canada): When the CanonicalMeet with the Non-canonical: A Case Study of the 'Canonical Erroneousness' by Reexamining a Dunhuang Manuscript (S 4461) and Its Alleged Author

3)  ÀÌÀç¼ö (µ¿±¹´ëÇб³): À¯ºñÄõÅͽº ½Ã´ëÀÇ ´ëÀå°æ

 

 

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